Recorded circa 1957
Published 1958 by Westminster W-9329, New York, USA
(also as Westminster XWN 18699)
This is a monophonic recording.
Type of harpsichord not mentioned in the documentation. (a large double manual, leather plectra harpsichord made by John Challis or a Pleyel?)
Sleeve notes by J. Robison

Side A Fifteen two-part inventions
00:00 No. 01 in C major (BWV 772)
01:21 No. 02 in C minor (BWV 773)
02:53 No. 03 in D major (BWV 774)
04:26 No. 04 in D minor (BWV 775)
05:22 No. 05 in E-flat major (BWV 776)
07:11 No. 06 in E major (BWV 777)
11:58 No. 07 in E minor (BWV 778)
13:30 No. 08 in F major (BWV 779)
14:25 No. 09 in F minor (BWV 780)
16:24 No. 10 in G major (BWV 781)
17:19 No. 11 in G minor (BWV 782)
18:32 No. 12 in A major (BWV 783)
19:49 No. 13 in A minor (BWV 784)
20:54 No. 14 in B-flat major (BWV 785)
22:28 No. 15 in B minor (BWV 786)

Side B Fifteen three-part inventions
23:33 No. 01 in C major (BWV 787)
24:57 No. 02 in C minor (BWV 788)
26:31 No. 03 in D major (BWV 789)
27:48 No. 04 in D minor (BWV 790)
30:13 No. 05 in E-flat major (BWV 791)
33:13 No. 06 in E major (BWV 792)
34:42 No. 07 in E minor (BWV 793)
37:41 No. 08 in F major (BWV 794)
38:57 No. 09 in F minor (BWV 795)
42:34 No. 10 in G major (BWV 796)
43:42 No. 11 in G minor (BWV 797)
45:25 No. 12 in A major (BWV 798)
46:51 No. 13 in A minor (BWV 799)
48:51 No. 14 in B-flat major (BWV 800)
50:46 No. 15 in B minor (BWV 801)

ROBERT VEYRON·LACROIX was bom in Paris in 1922, and studied
at the Conservatoire Nationale de Musique in that city. Being equally gifted as a performer on the harpsichord and the piano, he has been a soloist with major European orchestras, while his talent for chamber music brought him an invitation to participate in the Prades Festival under Pablo Casals. When not on concert tours throughout Europe, Africa, and the Orient, he does much research on old and unedited music. Mr. Veyron-Lacroix is professor of harpsichord at the Schola Cantorum, Paris.

THE RECORD The original tapes for this recording were
produced with the latest and most natural microphone techniques
available, and were then transferred to a master disc without
changes, the original sound preserved as performed. Pressings
from the master disc were compared with the original tape and
only when a comparible match was effected was actual production approved. This recording follows the R.I.A.A.characteristics.

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